Tuesday, January 28, 2020

Tuesday Tidbits: BOOKBINDING HISTORY

The earliest known books were written on dried, treated leaves and sewn together. Before this, there were scrolls, but since I’m focusing on bookbinding, I’m starting with the invention of pages being held together on one side.

BOOK = a written or printed work consisting of pages glued or sewn together along one side and bound in covers.

  
For this post, I’ll be focusing on that “glued or sewn together along one side” bit.

Once the written word transitioned from scrolls to flat pages, a binding method was needed to keep the pages together and in order.

Back when monks copied individual books by hand, books were also bound by solely hand, sewing the pages together. This process was very time consuming. So not many books were made, and those that were could only be afforded by the wealthy.

Another method for reproducing books was by using carved wooden blocks. A drawing or page of words was carved into a block of wood—backward of course—inked up then printed onto paper of some sort. The same group of pages could be printed over and over, relatively quickly. As compared to hand copying each page. Carving the blocks took a long time. One slip and the whole block would need to be started over. The larger sheet of paper was cut into pairs of pages and groups of pages were folded together to form a signature.

This is a picture of a small journal, but the signatures are very defined.



This is sewn together with a pamphlet stitch that goes right through the cover spine.



Most often these are straight on the outside, but this one is a little fancier with the outside stitches crossing.


A regular book is sewn differently with a kettle stitch. The signatures are stacked and held together in a long wooden vise. Several grooves are cut into the folded edges of the collection of signatures. These grooves allow a thin cord to sit recessed there from one signature to the next. Then the signatures are sewn to the cord and each other.

Image by Tomas Astobiza from Pixabay
The middle of each signature looks like this.


Here you can see the threads that go between the signatures, linking them together.



Here is the spine edge of the signatures in a regularly bound book.



See how the spine curves.


This is not by accident. The folded edge of a signature is always thicker than the cut edges. Once all the signatures are sewn together, the whole bundle is put into a long vice with only the folded edges sticking out a ¼” or so. Then a mallet is used to beat the folded edges into this kind of curve. Where the first and last signatures fan out beyond the flat part of the pages is nestled into the gap between the thickness of the cover board and spine board. You can see this in the picture above.

Once the spine is sewn and pounded into shape, glue is applied and various layers of fabric and paper are added. Some of the paper, as well as the ends of the thin cords, extends beyond the spine to allow it to be glued to the cover-boards.

Here you can see the fabric and some layers of paper.



At the top of the spine, a cording is created with two or three colors of thread. This helps protect the spine.

On the above book, white and golden colors were used. The one below has green and gold. The layers of paper and fabric that had been glued to this spine are also visible.



With the advent of the printing press in 1439, books could be more quickly produced, so the demand for binding books rose dramatically.

Before the 1820s, most books were sold unbound by the publisher. Instead, they were sold to customers in paper wrappers or to booksellers with a simple binding. Seriously, you would order Romeo and Juliet and a stack of papers would arrive. Then, if you wanted your book bound, you would take it to your local bookbinder to have it stitched together and a cover of your choice put on it. So one person could choose a green leather cover with one kind of ornamentation and their neighbor down the street could have a blue cover with different decorations on it. Same book, different covers. No uniformity.

This video shows the process of bookbinding.

(If the video doesn't work for you, here is the link
 https://www.youtube.com/watch?v=wNPJcxT2z0g )

As modernization improved, some of the steps in binding a book that were done completely by hand became semi-automated. Where once the front, top, and bottom edges were shaved down even with a hand tool could now be cut by a machine more quickly. Machines were invented to assist in the sewing and other aspects of the process, making bookmaking faster and cheaper.

This video shows the differences between earlier bookbinding with hand tools and later with some modernization.


(If the video doesn't work for you, here is the link 
https://www.youtube.com/watch?v=xr7cp6n3WnI )

As flexible glues improved, book pages could be cut as single sheet, not needing to be folded, and the spine edge be completely glued together with no sewing. With gluing, there wasn’t a need for the spine to be rounded to accommodate the folds that were now eliminated.

Today, most all paperbacks are glued as single sheets, those that don’t have some sort of a ring or coil binding. Hardbacks can be glued or sewn.

Go to your bookshelves and see what you have. Looking at the end of the spine at the top or bottom should allow you to see if the book has signatures or single sheets.


THIMBLES AND THREADS: 4 Love Stories Are Quilted Into Broken Lives

Love Stitched into Four Women’s Lives
Enjoy four historical romances that celebrate the arts of sewing and quilting. When four women put needle and thread to fabric, will their talents lead to love? #thimblesandthreadscollection
Click HERE to order yours today.
FREE Preview
#thimblesandthreadscollection
“Bygones” by Mary Davis
Texas, 1884
Drawn to the new orphan boy in town, Tilly Rockford soon became the unfortunate victim of a lot of Orion Dunbar’s mischievous deeds in school. Can Tilly figure out how to truly forgive the one who made her childhood unbearable? Now she doesn’t even know she holds his heart. Can this deviant orphan-train boy turned man make up for the misdeeds of his youth and win Tilly’s heart before another man steals her away?

Other stories in this collection:
“The Bridal Shop” by Grace Hitchcock, “Mending Sarah’s Heart” by Suzanne Norquist, and “Binding Up Wounds” by Liz Tolsma


THE DAUGHTER'S PREDICAMENT (Book 2 in the Quilting Circle series)
FREE Preview
Can a patient love win her heart?


As Isabelle Atwood’s romance prospects are turning in her favor, a family scandal derails her dreams. While making a quilt for her own hope chest, Isabelle’s half-sister becomes pregnant out of wedlock and Isabelle--always the unfavored daughter--becomes the family sacrifice to save face. Despite gaining the attention of a handsome rancher, her parents are pressuring her to marry a man of their choosing to rescue her sister’s reputation. A third suitor waits silently in the wings, hoping for his own chance at love. Isabelle ends up with three marriage proposals, but this only further confuses her decision.


A handsome rancher, a stranger, and an unseen suitor are all waiting for an answer.  Isabelle loves her sister, but will she really allow herself to be manipulated into a marriage without love? Will Isabelle capitulate and marry the man her parents wish her to, or will she rebel and marry the man they don’t approve of? Or will the man leaving her secret love poems sweep her off her feet?


HEARTBEATS IN TIME – 5 books of Old West 
Christian Romance (4 novels and
novellas) by 7 bestselling, award-winning authors, including my book, The Widow’s Plight.  
You'll love these 8 unique stories of love! Get it here: https://amzn.to/2VzRBoI
#HeartbeatsInTimeSet
FREE Preview
The Widow’s Plight (Book 1 in the Quilting Circle series) by Mary Davis
A single mother steps out of the shadows of abuse and into the sunshine. But will a secret clouding her past cost her the man she loves?
Finding Love In Last Chance, California by Miralee Ferrell
Dreams of My Heart by Barbara Scott
Hills of Nevermore by Janalyn Voigt
Heart of a Cowboy Novella Collection--four Old West romances by Susan Page Davis, Miralee Ferrell, Yvonne Lehman, and Vickie McDonough


#ChristianRomance #HistoricalRomance #Romance

MARY DAVIS is a bestselling, award-winning novelist of over two dozen titles in both historical and contemporary themes. Her 2018 titles include; "Holly and Ivy" in A Bouquet of Brides CollectionCourting Her Amish HeartThe Widow’s PlightCourting Her Secret Heart, and “Zola’s Cross-Country Adventure” in The MISSAdventure Brides Collection. Her 2019 titles are Courting Her Prodigal Heart, The Daughter's Predicament and "Bygones" in Thimbles and Threads. She is a member of ACFW and active in critique groups.



Coming June 2020! The Damsel's Intent book 3 in the Quilting Circle series. 
A hermit comes down from the mountains to snag a husband.
Mary lives in the Pacific Northwest with her husband of over thirty-four years and two cats. She has three adult children and two incredibly adorable grandchildren. Find her online at:


Tuesday, January 21, 2020

Tuesday Tidbits: MARBLED ENDPAPERS


Have you ever opened an old book to see the beautiful swirling patterns of color? This was before computers and easy printing methods. Though I’d seen those exquisite papers in old books before, I never thought about how they were made. So where did all that gorgeous colored paper come from? Did an artist painstakingly paint each stroke of color? Or were there rare marble-paper trees that grew wood those colors? I’m just being silly. Of course, it was the hard work of an artist.

This post is going to touch on the history with splash of a craft at the end for you try marbling your own paper at home.

Paper marbling dates back two millennium or more and was considered a craft, now it’s an art. Marbling was a sought after skill. A paper marbler would have been a craftsman, like a woodworker, cobbler, or blacksmith. A skill that needed to be learned over time. 

Suminagashi, or floating ink, originated in China over 2,000 years ago and practiced in Japan by the 12th century or earlier. It’s the process of transforming plain paper into a vibrant, colorful work of art with ink and water.

Paper marbling entered Europe first in Germany by way of the Ottoman Empire (present day Turkey) in the 17th century known as watercolor marbling or ebru.

A shallow vat of water was mixed with carrageenan (a seaweed derivative) to create a size (a thickened liquid) so paints would float rather than sink. The craftsman would drip drops of paint from a stick or dropper onto the surface of the size in a pattern, color after color until the surface was covered in paint.



Another method of getting the paint on the surface is known as throwing stones. The craftsman would dip a broomstraw into the paint and flick the paint off onto the surface of the size in random, scattered patterns.

Once all the paint was floating, rakes and combs the width and length of the vat with varying tooth widths are pulled across the surface, one direction and then another, vertical and horizontal. Which rakes and combs are use and the order determines the pattern that will end up on the paper.



There are cascade, feather, Gel-git, peacock, stone, and various other marble patterns. A stone marble is when no rakes or combs are pulled through the dots of paint. Stones can also be sprinkle on a pattern after rakes have created a pattern.

(If video doesn't play for you, here is the link https://www.youtube.com/watch?v=oNUhn7ifeO0)

Then a sheet of paper nearly the size of the vat, that has been treated with alum, is laid gently onto the surface from one corner to the opposite one. The paper is lifted out and the paint sticks to the paper. The paper is rinsed and hung to dry. These elaborate marbled papers made beautiful additions, inside and out, to books.

The following video is an interview. Here are some of times you might want to skip to. 4:00-treating paper. 6:54, 7:15, 8:30, & 10:55-dropping the paint in precise places and watching the colors spread. 13:05-using the rakes and combs. 17:44-is transferring the colors to the paper.



(If video doesn't play for you, here is the link https://www.youtube.com/watch?v=NsjNi8q9NRQ)
If a publisher wanted to print a hundred copies of a book, each one would need to have the same pattern and color of endpaper for both the front and back of each book. That would mean the artist would be need to repeat the process over and over and over and over. So a craftsman would need to drop paint onto the surface of the vat in the same order, in the same places, use the same rakes in the same order, dozens of times. Though no two sheets would be exactly alike, they would be very similar.

(If video doesn't play for you, here is the link https://www.youtube.com/watch?v=Vyga8VMWXKg&t=76s)

Even a craftsman would have gotten a little tired of creating the same pattern so many times, but it was necessary to achieve the same look.

Many things other than paper can be marbled and some artisans create beautiful pictures on the surface of the size, but that’s not the focus of this post.

Paper marbling pretty much ended around the end of the 19th century, but it has made a comeback as an art form.




Now, the craft portion.Here is a simple paper marbling technique that even a three-year-old can do. So if a preschooler can do it, I figured I could too.

Supplies:
~Paper
~Food coloring
~Shaving cream (not the gel)
~A stick (or something to pull through the colors to make designs)
~Squeegee (or something else with a flat side to scrape off the shaving cream)
~Container to hold shaving cream big enough to fit your paper (You can put the shaving cream directly on the table or counter but the food coloring may stain. You can put down a plastic table cloth and put the shaving cream directly on it.)



STEP 1: Set out supplies
STEP 2: Shake shaving cream and put about a half of an inch in the bottom of your container and smooth it out with squeegee.
STEP 3: Put several drops of food coloring on the shaving cream, use one color or several different colors.
STEP 4: Swirl the stick back and forth and/or around and around in the shaving cream to streak the food coloring through the shaving cream.
STEP 5: When you are happy with the pattern, place a piece of paper over the surface and press it gently into the shaving cream.
STEP 6: Lift out the paper and lay it shaving-cream-side up on plastic and scrape off excess shaving cream with squeegee to reveal the marbling.
STEP 7: Swirl the shaving cream again and make another print. You can add additional colors and swirl and print over and over.



I found that the shaving cream didn’t stick to the paper, so I had very little to scrape off, but still created beautiful marbling. When I used index cards, the shaving cream stuck to those, so the reveal was more dramatic.

I had so much fun that I kept printing and printing and could have kept going.

Here are all the prints I made, and I still had shaving cream.

So much fun! More fun than playing in the mud as a kid.

=0)

THIMBLES AND THREADS: 4 Love Stories Are Quilted Into Broken Lives

Love Stitched into Four Women’s Lives
Enjoy four historical romances that celebrate the arts of sewing and quilting. When four women put needle and thread to fabric, will their talents lead to love? #thimblesandthreadscollection
Click HERE to order yours today.
FREE Preview
#thimblesandthreadscollection
“Bygones” by Mary Davis
Texas, 1884
Drawn to the new orphan boy in town, Tilly Rockford soon became the unfortunate victim of a lot of Orion Dunbar’s mischievous deeds in school. Can Tilly figure out how to truly forgive the one who made her childhood unbearable? Now she doesn’t even know she holds his heart. Can this deviant orphan-train boy turned man make up for the misdeeds of his youth and win Tilly’s heart before another man steals her away?

Other stories in this collection:
“The Bridal Shop” by Grace Hitchcock, “Mending Sarah’s Heart” by Suzanne Norquist, and “Binding Up Wounds” by Liz Tolsma


THE DAUGHTER'S PREDICAMENT (Book 2 in the Quilting Circle series)
FREE Preview
Can a patient love win her heart?


As Isabelle Atwood’s romance prospects are turning in her favor, a family scandal derails her dreams. While making a quilt for her own hope chest, Isabelle’s half-sister becomes pregnant out of wedlock and Isabelle--always the unfavored daughter--becomes the family sacrifice to save face. Despite gaining the attention of a handsome rancher, her parents are pressuring her to marry a man of their choosing to rescue her sister’s reputation. A third suitor waits silently in the wings, hoping for his own chance at love. Isabelle ends up with three marriage proposals, but this only further confuses her decision.


A handsome rancher, a stranger, and an unseen suitor are all waiting for an answer.  Isabelle loves her sister, but will she really allow herself to be manipulated into a marriage without love? Will Isabelle capitulate and marry the man her parents wish her to, or will she rebel and marry the man they don’t approve of? Or will the man leaving her secret love poems sweep her off her feet?


HEARTBEATS IN TIME – 5 books of Old West 
Christian Romance (4 novels and 4 novellas) by 7 bestselling, award-winning authors, including my book, The Widow’s Plight.
You'll love these 8 unique stories of love! Get it here: https://amzn.to/2VzRBoI
#HeartbeatsInTimeSet
FREE Preview
The Widow’s Plight (Book 1 in the Quilting Circle series) by Mary Davis
A single mother steps out of the shadows of abuse and into the sunshine. But will a secret clouding her past cost her the man she loves?
Finding Love In Last Chance, California by Miralee Ferrell
Dreams of My Heart by Barbara Scott
Hills of Nevermore by Janalyn Voigt
Heart of a Cowboy Novella Collection--four Old West romances by Susan Page Davis, Miralee Ferrell, Yvonne Lehman, and Vickie McDonough


#ChristianRomance #HistoricalRomance #Romance

MARY DAVIS is a bestselling, award-winning novelist of over two dozen titles in both historical and contemporary themes. Her 2018 titles include; "Holly and Ivy" in A Bouquet of Brides Collection (January), Courting Her Amish Heart (March), The Widow’s Plight (July), Courting Her Secret Heart (September), “Zola’s Cross-Country Adventure” in The MISSAdventure Brides Collection (December), and Courting Her Prodigal Heart (January 2019). 2019 titles, The Daughter's Predicament (May) and "Bygones" in Thimbles and Threads (July). She is a member of ACFW and active in critique groups.



Coming June 2020! The Damsel's Intent book 3 in the Quilting Circle series. 
A hermit comes down from the mountains to snag a husband.
Mary lives in the Pacific Northwest with her husband of over thirty-four years and two cats. She has three adult children and two incredibly adorable grandchildren. Find her online at:


Tuesday Tidbits: GARDEN NEWS & REMINDER

Once again, I’m going to try to grow a vegetable/fruit garden. I think I’m a glutton for punishment, but I was excited that my feeble attemp...