Monday, June 2, 2008
KITTENS!!!!!!!!!!
On Tuesday May 27th I went over to a friend’s house and came home with four kittens. One was the mommy. We think the mommy is still a kitten herself, maybe 9-10 months old.
So when I arrived at my friend’s house, she made an offhand, not even serious, remark, “You want a kitten.” Then she took me out to a scrap-wood pile and there was mommy and three kittens. All scared of people. They were living in the woodpile and all very skittish.
Part way through my visit, I went back out to peek at the kitties from a distance. The babies all ran and hid in the safety of the woodpile. I squatted down and held out my hand to the mommy, talked softly, and called, “Here, Kitty, Kitty, Kitty.” She came forward hissing, growling, and pacing. Eventually, she rubbed on my hand and I petted her and picked her up. I even got her to purr very, very, very, very, very softly. I knew then that she was not a truly wild cat and had been with people early on in her life.
I couldn’t stand the thought of them going to the Humane Society where they might be put to sleep, so I offered to take them and find them homes. We put mommy in an animal crate. Now for the hard part, getting the skittish hiding kittens.
My husband and oldest son arrived and carefully disassembled the scrap-wood pile until we could reach in and quickly grab whatever part of a baby we could before they scurried off to another hole in the pile. We got all three babies without injury to kittens or humans.
We did have a slight scare with a startled squirrel who was also hiding in the woodpile and felt trapped with all of us around him. We gave him an escape route, which he gladly took and ran away.
Mommy and babies are doing fine and are so adorably cute!
We named the mommy Serena. She is a good mommy and an absolute love. She purrs when you just look at her. She loves to be scratched and petted. She talks to her babies in meows and trills.
The dark grey and white one is a boy we named Rolff. He is a pistol and loves to play, even when the other two are sleeping. He’s very adventurous and loves to explore.
The tricolor calico is a girl we named Tilly. She is so sweet and cuddly. She’s just this little round fur-ball.
The all white one is a boy we named Snyme. Don’t ask about the name. My oldest son, who helped rescue them, named him and is going to keep him.
They are all a bit skittish with noises and movement. Mommy trained the babies to be quiet and hide. They are good at that. We are going to adopt them out through Dreampower Animal Rescue where they will be fixed and find good homes.
I wish I could keep them all, but I already have three cats, a dog, and three Guinea pigs. Serena, the mommy, will be the hardest to give up. But I feel good about rescuing them and knowing they will get good homes.
One other note not related to the kittens, if some of you are wondering what happened to me for a month, I was on a sudden sabbatical. I wasn’t able to blog at the time. Hopefully I’m back for good.
Thanks for reading.
Thursday, April 24, 2008
Point of View (POV)
A lot of new writers have trouble with POV. Figuring out just what it is and how to use it well. It is a hard thing to grasp. If you are like me, you’ve read books with head-hopping. (Head-hopping is when you are in one character’s head/POV then the next paragraph you are in another character’s head/POV and then back again.) I often hear, “What’s the big deal if it is a good story? I can follow it and enjoy the story.” And this is true. The story can be fine, BUT . . .
You are missing out on a great opportunity. When you hop from head to head, the reader doesn’t get a chance to emotionally connect with the character. BUT when you climb inside one character’s head and play a scene through from just that one POV, the reader gets to know that character and the reader’s emotions built with the character’s. You will have the reader trying to talk the character out of a bad decision. “No! Don’t open that door!”
When you head-hop the reader doesn’t get to lose herself in the story, forgetting she is sitting on her couch. One of the reasons we read fiction is to escape. One of the reasons we write fiction is to help readers grow closer to God. When you can connect with a reader emotionally through a character, you can help that reader learn and grow in a relatively painless way. Strong emotions help us change.
I had several fans write me about my first book, Newlywed Games, and how it convicted them about their own lying or half-truths. We all know that lying is wrong. It’s a commandment in the Bible. But when the lie helps someone else or our self and it isn’t really hurting anyone, what’s the big deal? We get numb to lies. People can tell us over and over not to lie to no avail, but when we get emotionally attached to a character and hurt with them, it changes us, the reader.
So when we can do all we can to get the reader to emotionally attach to the character, God can use that to change that person, to know Him better, and to draw closer to the Lord.
Head-hopping is only one POV problem. A distant POV is another. This is when you describe a scene or play out a scene as viewed but you the writer. It’s all surface stuff. You need to crawl inside the character’s skin and become them and show what they are feeling and thinking, and have them interact with the environment. A character must think, speak, feel, and act. The character must behave how the character would behave.
I have read numerous samples where an adult child (the POV character) thinks of their own parent by their first name. Unless it is a dysfunctional family, most people think of their parents as Mom and Dad or a variation of those. So when a character thinks of their parents by their first name or even worse as Mr. or Mrs., I am no longer attached to that character. Now if the family is really dysfunctional, then they might call a parent by a formal or first name, but you have to show that.
Think of POV as like looking through a camera lens. You can only see, feel, touch, hear, smell, taste, and think what your POV character does. Think about real life. In real life YOU are the POV character. You can only see, feel, touch, hear, smell, taste, and think what you can experience. The same is true for your characters. But your POV character can make assumptions as to what another character is thinking or feeling. If you want the reader to know what the other character IS thinking, you can have your POV character guess correctly. But you can also throw the reader off by having the POV character guess wrong. You can also let the reader know what the other character was thinking by making the next scene from that character's POV and have him/her reflect on what happened in the previous scene.
Also facial expressions can give away what someone might be thinking. In a movie, a character looks sincere and you are convinced they are a good person, but then when the other character isn’t looking, the camera shows the character’s expression change from sincere to wicked. And we, the audience, knows the truth, and we yell at the screen for the other character to “Lookout!”
So crawl inside one of your characters, I mean really get inside their head. Close your eyes and think about that character and what makes them tick. What were they doing before this scene began. What are their hopes and dreams? What do they want? Then read that character’s scene as though you are them. Be and actress/actor. Make sure everything in that scene is wholly from that character.
You are missing out on a great opportunity. When you hop from head to head, the reader doesn’t get a chance to emotionally connect with the character. BUT when you climb inside one character’s head and play a scene through from just that one POV, the reader gets to know that character and the reader’s emotions built with the character’s. You will have the reader trying to talk the character out of a bad decision. “No! Don’t open that door!”
When you head-hop the reader doesn’t get to lose herself in the story, forgetting she is sitting on her couch. One of the reasons we read fiction is to escape. One of the reasons we write fiction is to help readers grow closer to God. When you can connect with a reader emotionally through a character, you can help that reader learn and grow in a relatively painless way. Strong emotions help us change.
I had several fans write me about my first book, Newlywed Games, and how it convicted them about their own lying or half-truths. We all know that lying is wrong. It’s a commandment in the Bible. But when the lie helps someone else or our self and it isn’t really hurting anyone, what’s the big deal? We get numb to lies. People can tell us over and over not to lie to no avail, but when we get emotionally attached to a character and hurt with them, it changes us, the reader.
So when we can do all we can to get the reader to emotionally attach to the character, God can use that to change that person, to know Him better, and to draw closer to the Lord.
Head-hopping is only one POV problem. A distant POV is another. This is when you describe a scene or play out a scene as viewed but you the writer. It’s all surface stuff. You need to crawl inside the character’s skin and become them and show what they are feeling and thinking, and have them interact with the environment. A character must think, speak, feel, and act. The character must behave how the character would behave.
I have read numerous samples where an adult child (the POV character) thinks of their own parent by their first name. Unless it is a dysfunctional family, most people think of their parents as Mom and Dad or a variation of those. So when a character thinks of their parents by their first name or even worse as Mr. or Mrs., I am no longer attached to that character. Now if the family is really dysfunctional, then they might call a parent by a formal or first name, but you have to show that.
Think of POV as like looking through a camera lens. You can only see, feel, touch, hear, smell, taste, and think what your POV character does. Think about real life. In real life YOU are the POV character. You can only see, feel, touch, hear, smell, taste, and think what you can experience. The same is true for your characters. But your POV character can make assumptions as to what another character is thinking or feeling. If you want the reader to know what the other character IS thinking, you can have your POV character guess correctly. But you can also throw the reader off by having the POV character guess wrong. You can also let the reader know what the other character was thinking by making the next scene from that character's POV and have him/her reflect on what happened in the previous scene.
Also facial expressions can give away what someone might be thinking. In a movie, a character looks sincere and you are convinced they are a good person, but then when the other character isn’t looking, the camera shows the character’s expression change from sincere to wicked. And we, the audience, knows the truth, and we yell at the screen for the other character to “Lookout!”
So crawl inside one of your characters, I mean really get inside their head. Close your eyes and think about that character and what makes them tick. What were they doing before this scene began. What are their hopes and dreams? What do they want? Then read that character’s scene as though you are them. Be and actress/actor. Make sure everything in that scene is wholly from that character.
Tuesday, April 22, 2008
Technology Hates Me
It’s true. Ask my family.
I was going to be a really good girl and get my blog posted yesterday on schedule, but the Internet, or the server, or the wireless thingy in the house was against me. They were probably all in cahoots with each other.
“Snicker, snicker. How can we mess her up today?”
Through the years, electronic devices will some times not work for me. They are working fine all week then suddenly they won’t turn on when I press the button. I try several times. I tell my husband that such and such is broken. He presses the button to try it and it works. This has happened numerous times.
The worst offender is my husband’s car and remote. It doesn’t like me. I’m sure of it. Things won’t work, fuses blow, and the remote won’t work. It’s true.
I was out with my daughter in my husband’s car. She was still a little skeptical about me and the car. She informed me that her dad waited a few seconds after closing the door before pressing the button to lock and alarm the car. I waited a few seconds and asked her if that was long enough. She nodded. I pointed and pushed the button. Nothing. I pressed again. Nothing.
She just stared at the car like it had betrayed her. I pressed the button again and again. I held it high in the air, twisted it this way and that. I finally had to lock it with the key, which meant it wasn’t alarmed, but I get to the point that I don’t care.
The car remote would work for me about one out of twenty times. For my husband, it works every time. EVERY TIME! The remote works for all three of my children. It’s me and only me it discriminates against. A girl can’t help but get a complex.
We have a running joke that when we go to watch a movie at home, that I shouldn’t touch the equipment if we really want to watch something. It doesn’t happen all the time, but from time to time things decide not to work for me. And I never know when that will be.
So that is why I am late with my post on week two. Electronics don’t’ like me. That is my story and I’m sticking to it. ;-P
I was going to be a really good girl and get my blog posted yesterday on schedule, but the Internet, or the server, or the wireless thingy in the house was against me. They were probably all in cahoots with each other.
“Snicker, snicker. How can we mess her up today?”
Through the years, electronic devices will some times not work for me. They are working fine all week then suddenly they won’t turn on when I press the button. I try several times. I tell my husband that such and such is broken. He presses the button to try it and it works. This has happened numerous times.
The worst offender is my husband’s car and remote. It doesn’t like me. I’m sure of it. Things won’t work, fuses blow, and the remote won’t work. It’s true.
I was out with my daughter in my husband’s car. She was still a little skeptical about me and the car. She informed me that her dad waited a few seconds after closing the door before pressing the button to lock and alarm the car. I waited a few seconds and asked her if that was long enough. She nodded. I pointed and pushed the button. Nothing. I pressed again. Nothing.
She just stared at the car like it had betrayed her. I pressed the button again and again. I held it high in the air, twisted it this way and that. I finally had to lock it with the key, which meant it wasn’t alarmed, but I get to the point that I don’t care.
The car remote would work for me about one out of twenty times. For my husband, it works every time. EVERY TIME! The remote works for all three of my children. It’s me and only me it discriminates against. A girl can’t help but get a complex.
We have a running joke that when we go to watch a movie at home, that I shouldn’t touch the equipment if we really want to watch something. It doesn’t happen all the time, but from time to time things decide not to work for me. And I never know when that will be.
So that is why I am late with my post on week two. Electronics don’t’ like me. That is my story and I’m sticking to it. ;-P
Thursday, April 17, 2008
Writer's Block
I thought by the time Thursday rolled around I’d know just the right writing topic to blog about. Well, my brain is a little low this morning.
I hear those snickers and giggles.
I think everyone of us has been at a point when they are at a loss for words for one reason or another. We like to refer to this as Writer’s Block. Mine often comes in the form of black fur, four legs, and purrs. She crawls on my lap and if I don’t give her enough attention, she will try to lay across one or both of my arms. If that doesn’t work, she stretches her paws across the keyboard, usually holding down the space bar or highlighting everything. It makes writing interesting.
What most people think of as Writer’s Block is when we don’t know what to write or what comes next in our story. If you are a serious plotter, then the second one probably never happens to you. Some times Writer’s Block happens because our brain is stuck in a rut and we need to blast it out of there and get on a new road, or at least a freshly paved one. Here are a couple of Writer’s Block sticks of TNT.
Idea #1: Free Writing – This sounds simple, but some times it is just what you need to unlock your creativity. Take a word, topic, or phrase and write for ten minutes on it without stopping to correct or edit. Let your mind take you wherever. There is no wrong writing in this exercise. You don’t even have to stay on topic. Maybe you start with the word pencil and end up on a snowy mountaintop. You can just write about that thing or incorporate it into a mini scene where that object is used.
You can get Free Writing words and topics in a variety of places. There are books on story starters, creativity, and such to help get you going. You can also create your own story jar. You take small household objects that will fit in a jar and save them. Items like a stubby pencil, broken crayon, paper clip, lip stick tube, key chain, key, small toys, bouncy ball, piece of duct tape, ribbon, a ring, bottle cap, etc. My jar is about 6 inches tall and about 3+ inches wide. When you want something to Free Write about, you take something out of the jar and start writing. Don’t think. Don’t plan. Just write.
Idea #2: People Watching – Go to the mall and watch people. Pick a person out and make up a story, history, or background for them. Let your mind go free.
Idea #3: Story Blocks – This is when you come to a point in your work-in-progress (wip), and don’t know where to go or how to get your character out of the corner they have gotten themselves into. Brainstorming with others is usually a good solution, but we don’t always have someone we can brainstorm with or we don’t want to bother them as often as we might need them. I have found it helpful to put my mind to work on the problem as I lay down to sleep. I mull it over and run through several scenarios and usually the solution will come to me before I fall asleep or my subconscious works on it while I sleep.
What do you do to blast through your Writer’s Block?
I hear those snickers and giggles.
I think everyone of us has been at a point when they are at a loss for words for one reason or another. We like to refer to this as Writer’s Block. Mine often comes in the form of black fur, four legs, and purrs. She crawls on my lap and if I don’t give her enough attention, she will try to lay across one or both of my arms. If that doesn’t work, she stretches her paws across the keyboard, usually holding down the space bar or highlighting everything. It makes writing interesting.
What most people think of as Writer’s Block is when we don’t know what to write or what comes next in our story. If you are a serious plotter, then the second one probably never happens to you. Some times Writer’s Block happens because our brain is stuck in a rut and we need to blast it out of there and get on a new road, or at least a freshly paved one. Here are a couple of Writer’s Block sticks of TNT.
Idea #1: Free Writing – This sounds simple, but some times it is just what you need to unlock your creativity. Take a word, topic, or phrase and write for ten minutes on it without stopping to correct or edit. Let your mind take you wherever. There is no wrong writing in this exercise. You don’t even have to stay on topic. Maybe you start with the word pencil and end up on a snowy mountaintop. You can just write about that thing or incorporate it into a mini scene where that object is used.
You can get Free Writing words and topics in a variety of places. There are books on story starters, creativity, and such to help get you going. You can also create your own story jar. You take small household objects that will fit in a jar and save them. Items like a stubby pencil, broken crayon, paper clip, lip stick tube, key chain, key, small toys, bouncy ball, piece of duct tape, ribbon, a ring, bottle cap, etc. My jar is about 6 inches tall and about 3+ inches wide. When you want something to Free Write about, you take something out of the jar and start writing. Don’t think. Don’t plan. Just write.
Idea #2: People Watching – Go to the mall and watch people. Pick a person out and make up a story, history, or background for them. Let your mind go free.
Idea #3: Story Blocks – This is when you come to a point in your work-in-progress (wip), and don’t know where to go or how to get your character out of the corner they have gotten themselves into. Brainstorming with others is usually a good solution, but we don’t always have someone we can brainstorm with or we don’t want to bother them as often as we might need them. I have found it helpful to put my mind to work on the problem as I lay down to sleep. I mull it over and run through several scenarios and usually the solution will come to me before I fall asleep or my subconscious works on it while I sleep.
What do you do to blast through your Writer’s Block?
Monday, April 14, 2008
Diving In
I have jumped into this pool of blogging, and I know there are those of you who know me who are thinking, “It’s about time!” Well now that I’m here, I need to get swimming. I will be starting out slowly with treading water and a dog paddle now and then.
I plan to blog on Mondays and Thursdays. Monday Madness will be anything that strikes my fancy from serious to funny. Thursday I will get down to business and blog on something writing related.
I musts confess that this blogging world scares me, because I am not tech-savvy. I used to think I was dumb because this internet and computer stuff just isn’t logical to me. I know a lot of you are thinking, “What’s her problem? It’s not that hard.” And I would agree with you, but it is hard for me.
But I had a “Tiffany-epiphany” and realized that I am not dumb when it comes to computer things. Computers are designed for normal thinking people. And let’s face it, when have I ever been normal? I have a learning disability, dyslexia. Dyslexia is a processing error in the brain, so my brain does not process this computer stuff (and other stuff) like the rest of you. Now if they would only design a dyslexic computer, I’d be all set. And it would have a spell checker with all the words misspelled by dyslexics and poor spellers so the stupid tool can figure out what I’m trying to spell.
Maybe sometime I’ll blog on creative spelling. ☺
This is enough dog paddling for one day. I think it’s time to climb into the Jacuzzi. (Not that I have a real Jacuzzi, that is a metaphorical Jacuzzi, but I am an author and have a good imagination.) I can feel the warmth now.
I plan to blog on Mondays and Thursdays. Monday Madness will be anything that strikes my fancy from serious to funny. Thursday I will get down to business and blog on something writing related.
I musts confess that this blogging world scares me, because I am not tech-savvy. I used to think I was dumb because this internet and computer stuff just isn’t logical to me. I know a lot of you are thinking, “What’s her problem? It’s not that hard.” And I would agree with you, but it is hard for me.
But I had a “Tiffany-epiphany” and realized that I am not dumb when it comes to computer things. Computers are designed for normal thinking people. And let’s face it, when have I ever been normal? I have a learning disability, dyslexia. Dyslexia is a processing error in the brain, so my brain does not process this computer stuff (and other stuff) like the rest of you. Now if they would only design a dyslexic computer, I’d be all set. And it would have a spell checker with all the words misspelled by dyslexics and poor spellers so the stupid tool can figure out what I’m trying to spell.
Maybe sometime I’ll blog on creative spelling. ☺
This is enough dog paddling for one day. I think it’s time to climb into the Jacuzzi. (Not that I have a real Jacuzzi, that is a metaphorical Jacuzzi, but I am an author and have a good imagination.) I can feel the warmth now.
Thursday, April 3, 2008
New Beginnings
Technology -- a scary thing.
Technology scares me. It is this new and invisible thing. I'm a visual person, so it is hard to wrap my head around something I can't see. I know cyber space is out there, but it's not a tangible thing I can touch. So I must question if it is real. Logically it makes sense, but I have no clue how it works. And I think it is best if we keep it that way.
I'm not anti-technology, it just has a tendency not to work right for me. But I decided it was time to dive in head first and hope that my seat cushion will sustain me as a floatation device.
With the help and encouragement of a few friends, I have been navagating these technology waters.
See you in cyber space!
Technology scares me. It is this new and invisible thing. I'm a visual person, so it is hard to wrap my head around something I can't see. I know cyber space is out there, but it's not a tangible thing I can touch. So I must question if it is real. Logically it makes sense, but I have no clue how it works. And I think it is best if we keep it that way.
I'm not anti-technology, it just has a tendency not to work right for me. But I decided it was time to dive in head first and hope that my seat cushion will sustain me as a floatation device.
With the help and encouragement of a few friends, I have been navagating these technology waters.
See you in cyber space!
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